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Monday, September 16, 2019

The Kid Who Would Be King movie download torrent 1080p 720px

The Kid Who Would Be King movie download torrent 1080p 720px

The Kid Who Would Be King movie download torrent 1080p 720px

The Kid Who Would Be King
Director: Joe Cornish
Writer: Joe Cornish
Stars: Louis Ashbourne Serkis, Denise Gough, Dean Chaumoo 
Official Sites: Official Facebook 
Country: UK | USA
Language: English
Release Date: 25 January 2019 (USA)
Also Known As: The Kid Who Would Be King 
                                                          Filming Locations: Stevens Point, Wisconsin, 

Old school magic meets the modern world in this epic adventure. Alex (Louis Ashbourne Serkis) thinks he's just another nobody, until he stumbles upon the mythical sword in the stone, Excalibur. Now, he must unite his friends and enemies into a band of knights and, together with the legendary wizard Merlin (Sir Patrick Stewart), take on the wicked enchantress Morgana (Rebecca Ferguson). With the future at stake, Alex must become the great leader he never dreamed he could be.

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To the surprise of no one, Joe Cornish's enjoyable and kid-friendly fantasy The Kid Who Would Be King is the latest example of 20th Century Fox giving audiences what they claim to want only to be faced with empty theaters. In this case, it was an original, kid-targeted, family-friendly adventure movie that couldn't compete with the likes of Warner Bros.' Aquaman and Sony's Spider-Man: Into the Spider-Verse. To be fair, those are both arguably better movies, but I digress. As you know, part of the reason why the $59 million-budgeted film earned just $7m over its opening weekend (which, to be fair, was a fine 4.2x weekend multiplier), is that kids don't necessarily need "just for kids" movies when they can indulge in mega-budget, four-quadrant, PG-13 comic book superhero spectaculars. But the other reason is that audiences simply don't care about King Arthur. For those who haven't done the reading, there is a gulf between what audiences claim they want and what they'll actually show up for. We claim to want movies like Bad Times at the El Royale and Widows but we show up for Deadpool 2 and Bohemian Rhapsody. We claim to want more movies like The Goonies, but we ignore (or outright mock) just-for-kids movies like Paramount/Viacom's Monster Trucks, WB's The Iron Giant, New Line's The Last Mimzy and DreamWorks SKG's Reel Steel (which, to be fair, earned $299m worldwide on an $80m budget in 2011). Even Paramount's Bumblebee, which paid homage to the very kinds of 1980s coming-of-age kid flicks that mega-budget IP-specific franchises like Transformers wiped off the map, is merely doing okay in North America ($125m) and needed an overseas rescue (including $150m+ in China for a current $435m cume) to justify a sequel.

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As I've noted here and there over the years, there is a huge difference between audiences being aware of a character or an IP versus being interested in a movie version of that property. Just because folks have heard of a video game, an old book or a once-popular film franchise doesn't mean they'll show up purely based on the IP. WB's Sherlock Holmes worked because it featured a red-hot Robert Downey Jr. (right between Iron Man and Iron Man 2), Jude Law and Rachel McAdams as added-value elements, wasn't an origin story (hint-hint) and delivered high-quality adult entertainment amid a leggy Christmas season. It also only cost $90m, so it was a massive smash at $525m worldwide. Fun fact: WB's Pan ($150m), Universal's Battleship ($210m) Walt Disney's The Lone Ranger ($215m) and WB's Jack the Giant Killer ($175m) cost a hell of a lot more than $90m. The key to getting audiences into a theater in 2019 is in having a movie featuring a character whom audiences want to see onscreen. That's a huge advantage that comic book superhero movies have (along with their relatively high quality), as folks want to see Aquaman, Black Panther, Venom and Deadpool in a way they don't for Robin Hood, Tarzan and King Arthur. I would argue this also somewhat applies to Superman, which explains why every Superman movie since Superman III (which made $59 million domestic in 1983) has struggled here and abroad in comparison to other superhero franchises. To be fair, Superman Returns ($391m in 2006) just cost too much ($270m, including development costs for prior Superman projects) and didn't inspire mainstream excitement, and Man of Steel was divisive enough to make WB question its $668m worldwide cume and throw Batman into the sequel. Read this:-
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